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PLURALEYES 4 REVIEW FOR MAC
PLURALEYES 4 REVIEW PRO
PLURALEYES 4 REVIEW SOFTWARE
PLURALEYES 4 REVIEW PROFESSIONAL

It automatically looks into all open FCP project and finds the PluralEyes sequence. Now, go to the Applications folder and open PluralEyes. This MUST be the name of the sequence for PluralEyes to work and you can only have one project open at a time that contains a PluralEyes sequence. Note: I’ve created a sequence in the Browser called PluralEyes. Clips are only put into the timeline, nothing has been done to align them. Notice that each camera includes synced audio. This is where PluralEyes almost performs magic.įor instance, here three cameras are edited to the timeline. However, what happens if every camera is running different timecodes and you don’t have a good In or Out point? A clapper slate or camera flash is used to set the In, or feeding all cameras common timecode are very common.

PLURALEYES 4 REVIEW PROFESSIONAL

Many times, for professional productions, this is fine.

PLURALEYES 4 REVIEW PRO

As well, when you use Final Cut Pro to build your multiclips, you can only synch them five ways using a common: The important thing to keep in mind with multiclips is that every clip in a multiclip needs to contain continuous timecode, as well as use the same compression codec, image size, and frame rate. (By the way, the images in this article were provided by Singular Software.) Generally, images you want to synch as multiclips are recorded by multiple cameras at the same time. Multiclips first showed up in Final Cut Pro 5 and they allow you to synchronize and view multiple clips at the same time.

PLURALEYES 4 REVIEW SOFTWARE

Let me give you a couple of examples about why this software can be very, very helpful. Then, the developer Bruce Sharpe called to tell me about it. I first learned of this software in a conversation with Roz McNulty. If you do a lot of multicam work, you need to check into PluralEyes, by Singular Software. Check it out here on Red Giant’s website.[ This article was first published in the February, 2010, issue of

PLURALEYES 4 REVIEW FOR MAC

PluralEyes 3 for Mac is available immediately and priced at $199.00 for new customers, and as a $79.00 upgrade for Plural Eyes 2 and DualEyes owners.

Pays for itself in minutes. PluralEyes pays for itself in saved time on the first project, and is backed by Red Giant’s Red Pledge guarantee, giving support for all hosts for one price.

New ‘test & tweak’ features offer important quality control options like Two-Up View and Snap to Sync, along with a visual timeline, for finished footage that’s ready for creative editing. Users can identify sync problems and monitor the sync in real time.

New interface with visual feedback. A brand new interface offers more confidence with a timeline and visual feedback.Sync features all in one place. Red Giant’s integration of DualEyes features has created a standalone PluralEyes application, taking audio/video syncing out of the NLEs and into its own work environment.This latest version absolutely sings – no matter how many audio clips you pile on to be synched up.Īside from the solid speed boost, here’s the other new features Red Giant PluralEyes 3 offers: Red Giant claims 20x speed increases in PluralEyes 3 and, after having seen demos of the software back at NAB 2012, I can vouch that those numbers are legit. This latest iteration of the superior audio synching software is the first version that’s been released since Red Giant acquired Singular Software (and it has gotten so much better since version 1 – which was awesome in its own right at the time). Red Giant’s PluralEyes 3 for Mac is now available.